The first cameras I began working with were the D810 and D750, and I’ve since photographed countless projects and assignments with Nikon. My Nikon gear has given me the freedom for constant exploration, allowing me to seek out incredibly profound moments that may not have been seen in passing, or on the surface. I’ve found myself obsessed with the Z 9 since adding it to my kit bag – in my opinion there has never been a stronger camera in my repertoire, either in durability or strength of raw files. The Z 9 shoots like a medium-format in terms of quality of files and – when paired with the old-school mechanical 35mm or 50mm lenses – is smaller and less intimidating as a camera. For me it brings back the raw chance of photography past, when we were shooting film and didn’t have such perfect digital control. It feels more real. And while you take chances and don't always nail every shot, you know you will always secure one that just feels perfect. There’s the best of digital technology in the body and the best of the heyday of photography – when there was more mystery – in the lenses. Nikon offers me the perfect combo.